Art is in the Eye of the Launderer
The Pinchuk Art Centre
*This is part of a chapter I am working on for a book. As I will be talking about Art in Embassies coming up, I figured I would share this.*
The art world has a seedy underbelly few are willing to discuss. While the popular saying is that beauty is in the eye of the beholder, there are certain simplistic and crappy artworks that get sold for such exorbitant sums of money that it would make Croesus blush. Only a fool would pay this much money for such generic and talentless "art." However, that implies that the fool actually wants the art for the arts sake. Art, particularly modern art, is often the perfect vehicle for money laundering. Perhaps, the fool knows the emperor has no clothes but is playing society for a fool by hiding illegal acts in plain sight. The perception of many art collectors having far more money than sense is likely wrong. As the corruption has grown more and more people have learned of the con and began to take advantage of it. Modern art is even more susceptible to this as much of it is cheap to produce and requires minimal skill to create. People who spend enormous amounts on baffling choices of art can have it explained away as possessing niche and abstract interests.
One figure that has begun to introduce people to corruption in the art world is Hunter Biden. His passion for painting was not revealed until 2020, the same year as the 2020 presidential election. Just as Hunter used his father as leverage to get his position at Burisma, he is most likely using his art to sell access to his father. Once Joe Biden took office as president many individuals, both foreign and domestic, would have great interest in purchasing access to him.
Early on, Hunter Biden’s art could sell for $500,000 but as Joe Biden’s poll numbers continued to drop information on Hunter’s art career went radio silent. When Hillary Clinton lost the 2016 election donations to the Clinton Foundation began to dry up. If donors were genuinely donating for charitable purposes, there is no reason for this as the foundation would be as functional as ever. But since we know that Hillary Clinton was secretly influence peddling, potential buyers no longer had any reason to donate as without power she could no longer offer them anything. It is likely the same with Hunter Biden’s art. Numbers are not being reported because as Joe Biden loses political capital with the American public buyers see less reason to purchase access to him if he cannot fulfill what they want him to do. In truth, the art of Hunter Biden is extremely classy by the standards of the other art that will be discussed in this chapter. Some people believe Hunter Biden did not paint his own art and instead obtains it from some other unknown amateur artist and Hunter merely provides the Biden name. With how common books by politicians are written by ghostwriters is, it is far from impossible that Hunter has a ghost artist. Either way, while the art is in no way worth half a million it is exemplary compared to the art of choice of Pinchuk.
Victor Pinchuk entered the art world by opening the Pinchuk Art Centre. When it was first opened many assumed it was done in an effort to gain positive publicity. Pinchuk's stepfather, former Ukrainian President Leonid Kuchma, was then embroiled in negative press after leaked tapes appeared to link him to the murder of Ukrainian journalist Leonid Kuchma. In the tapes, Kuchma had discussed having investigative journalist Georgiy Gongadze kidnapped by Chechens. Gongadze had been decapitated in 2000 and the murderer Olexiy Pukach claimed he had acted on the orders of the late Finance Minister Yuri Kravchenko. As a journalist, Gongadze had founded the website Ukrainskaya Pravda and was known as a tough critic of Kuchma. Kravchenko, himself, died in 2005 before he was about to be questioned. The death was ruled a suicide, but others questioned this assessment as he had been shot two times in the head. For his part, charges against Kuchma were later dropped as it was found the tape where he had discussed the murder had been obtained illegally.
Ukraine Gongadze case: Court convicts journalist's killer - BBC News
In 2005, the same year Kravchenko died, the Pinchuk Art Centre opened its doors. The modern art museum is well known in some art circles as containing dreadful art. The Art Newspaper wrote "Rarely has so much money been spent so quickly on so much bad art." However, as discussed before, they assumed Pinchuk is a rich fool and not someone who possessed more sinister motives.
worst art collecting mistakes – ulrichdebalbian (wordpress.com)
There are some reasons to suspect the worst about Pinchuk. He is personal friends with the artist Jeff Koons. Jeff Koons's works have sold for absurd sums of money. His work Rabbit sold for $91.1 million and he received $51.8 million for Balloon Dog. Balloon Dog is simply a statue of a literal balloon dog, the kind a clown would make. Rabbit is similarly a featureless stainless steel figure vaguely resembling a rabbit. His work is notorious for being kitsch and banal. Yet, in spite of this, his work rakes in millions to the chagrin of many art enthusiasts. Even if someone considers the trite product he churns out legitimate art he is still arguably not a true artist as he has no hand in creating his own art. It is produced by a team of 50 to 95 people he pays to produce it. Compounding this he has been accused of plagiarism and even lost one case to a French artist named Michael Hayden, who accused him of stealing his unique snake design. Of all artists he is probably the most shameless money launderer.
Jeff Koons - Wikipedia Made in Heaven: Jeff Koons | Mental Floss Sculptor to sue Jeff Koons for breaching copyright after his piece was incorporated into other works | Daily Mail Online
Jeff Koons married his then-wife Illona Staller. Staller was a former Hungarian porn star who is also known by her film name Cicciolina. When they were together they collaborated for an art campaign called Made In Heaven. It features Jeff Koons and Illona Staller posing as Adam and Eve while engaging in sexual intercourse. Giant pornographic pictures were produced from this shoot as well as paintings and statues of them in coitus. The statue produced during this was the artwork that got Koons sued for plagiarism, as the snake design from the Adam and Eve themed project was taken from another artist.
Koons is on the board of the International Center of Missing and Exploited Children (ICMEC), the sister project of the National Center of Missing and Exploited Children (NCMEC). The creation of ICMEC is truly an insane story. His wife Illona fled with their child after she alleges she caught him sexually abusing their son. Staller is no sexual shrinking violet but it can be inferred that the things she saw were beyond the pale. She said, "But I told the psychologist in New York that I suspected my Husband was a psychopath. I walked in on him nude on the bed while our child was playing with his genitals, and I told him, "It's not nice to do that with a child." I certainly saw other terrible things, but I can't tell you about them. In other words, my husband is mad as a hatter." Meet Jeff Koons: Artist, ICMEC "Champion for Children" and child molester — Steemit
After Staller tried to escape, Koons railed against the disappearance of his missing son. He joined the board of ICMEC where he purported to help children who were in a similar situation as his own kid. The Italian Supreme Court ruled in favor of Staller and Koons was never able to regain custody of his child. ICMEC was founded by Hillary Clinton and Cherrie Booth (who was the wife of British Prime Minister Tony Blair). Despite Hillary generally insisting that all women should be believed in matters of sexual abuse she had no problem with Koons being on the board. While obviously some people do make up lies about their ex-spouse, the fact that a man who was accused of child molestation was allowed in a child's welfare organization with no investigation of the allegations is rather telling. Jeff Koons - Wikipedia An Unbelievably In-depth Research On HRC’s International Centre for Missing & Exploited Children (ICMEC) | Ella Cruz | Top Censored Conservative News
ICMEC has an initiative called Project VIC which serves as a collection of videos of child sexual abuse material. This is concerning in that it is an NGO and not a part of government or law enforcement. ICMEC_PhotoDNA (itu.int) THORN is working in conjunction with (ICMEC) through Project VIC. ICMEC includes Jeff Koons. ICMEC is an offshoot of NCMEC (National Center of Missing and Exploited Children). | pizzagate (searchvoat.co) Through ICMEC, Koons not only has access to child pornography but also actual children. It is possible that his bad art is actually a method of child trafficking.
Koons is not the only artist Pinchuk has a connection to that has a troubling relationship with children. He has had exhibits from the British artist Jake and Dinos Chapman. The Chapman Brothers are known as being "provocateurs" and are called the Les Enfants Terribles of the British art world. Their artwork Piggyback was declared "paedo-pornographic" by the Italian Observatory on the Right of Children. The artwork depicted two naked mannequin girls, with one on the shoulders of the others, with one having a penis sticking out of her mouth. This style of art is rather normal for them. In the Brooklyn Museum of Art they had an exhibit Tragic Anatomies in the Sensation art exhibit. The exhibit had caused an outcry from featuring art from another artist depicting the Virgin Mary covered in feces. Rudy Guliani spoke out against the offensive and sacrilegious nature of the exhibit. Some felt that the museum should no longer be funded by taxpayers due to the content. The museum did have one major defender in Hillary Clinton. James Pinkerton explained the real problem with the exhibit in the Los Angeles Times, https://archive.ph/jfgDJ
"But the real outrage is the work of Jake and Dinos Chapman. Their artistic oeuvre is naked girls. They have taken department store-mannequins of little girls, festooned them with penises, and then added vaginas and anuses--the kind you might expect to see on a blow-up sex doll--in random places over their faces and bodies. The wall cards attempt to explain all this away with folderol about the perils of genetic engineering, but these two artists were surely creepy before they ever heard of DNA. Indeed, the sci-fi stuff is just covering for pandering to pedophiles, as the museum well knows. The caption for "Tragic Anatomies" asks the following: "What would the world be like if we were freed from all sexual inhibition? Do we falsely deny the existence of sexuality in children?"-"
It's More Disgusting Than You Have Heard - latimes (archive.ph) Hillary Clinton and the "Sensation" art exhibit. | pizzagate (searchvoat.co)
Jake Chapman, in particular, has a tendency to make despicable comments about children while the media dismisses it as artistic eccentricity and edgy attention seeking. Jake Chapman called the murder of toddler James Bulger "a good social service." He also declared that showing children great works of art is "like saying that it is as moronic as a child. . .Children are not human yet." While many are swift to dismiss things like this as self-interested posturing, it is probable that the Chapman brothers are genuine sociopaths, and their profession enables them to put their mental deviance on full display. Jake Chapman: Taking children to galleries is a 'waste of time' - BBC News
Another artist Pinchuk has featured is Damien Hirst. Hirst is like Koons, in that, his artwork sells for huge amounts, but he also has numerous allegations of plagiarism. One of his most famous works, a crystal covered skull called For the Love of God was said to have sold for $100 million. Artist John LeKay claimed that it was plagiarized from his work. In a shocking turn of events, it turned out that For The Love of God never actually sold and had remained in White Cube storage. White Cube is a gallery that works frequently from Hirst. The Pinchuk Art Centre gets much of its art either purchased from or on loan from the White Cube in London, particularly that of Hirst and Hirst's friend Jay Joplin. White Cube also represented Jake and Dinos Chapman until 2017. Pinchuk buys panned Hirst paintings (theartnewspaper.com)
George Soros controls his own Soros Centers for Contemporary Art. One of them is at the National University of Kyiev-Mohyla Academy (NaUKMA). This location also exhibits the works of Damien Hirst.
About us (irf.ua) Soros Centers for Contemporary Art - Monoskop Child Sacrifice ART Painted on Buildings in Brussels | pizzagate (search voat.co)
Last, but certainly not least is Pinchuk's connection to the infamous Marina Abramovic. Abramovic is primarily known for her name appearing in the leaked emails of Hillary Clinton and John Podesta. There was talk in them of a bizarre occult ritual known as spirit cooking, involving pigs’ blood, which Abramovic invited the Podesta brothers to partake in at her residence. If it was addressed at all, the mainstream media often said that there was nothing untoward or Satanic about the events but that it was a product of the populace not understanding the art. Abramovic herself admitted on Reddit that spirit cooking in a private residence is an occult ritual, as the context is what determines if it is or isn't art. Abramovic wrote in her description of spirit cooking ”with a sharp knife cut deeply into your middle finger and eat the pain.” Spirit cooking is an offshoot of the cake of light, an occult practice started by Aleister Crowley in his religion Thelema. Marina Abramovic was also a supporter of John of God who was a self-claimed spiritual healer in Brazil who turned out to have raped multiple women and performed unlicensed surgeries which were essentially simple mutilations.
Marina Abramović in This is Ukraine: Defending Freedom - Venice Biennale, PinchukArtCentre and Victor Pinchuk Foundation, Scuola Grande della Misericordia, Venice, Italy - 最新消息 - Sean Kelly Gallery (skny.com) Marina Abramović mention in Podesta emails sparks accusations of satanism | Marina Abramović | The Guardian https://en.wikipedia.org/wiki/Jo%C3%A3o_Teixeira_de_Faria
Abramovic’s art is generally macabre and morbid. It features things such as blood, goat skulls and pentagrams. The Pizzagate community immediately took a strong interest in Marina after the visceral shock of seeing her art and the similarly disturbing collection of John and Tony Podesta. The mainstream media did its best to paint her as a misunderstood creative and a victim to baseless conspiracy claims. After all, Pizzagate was debunked as allegations of owner James Alefantis trafficking kids from his pizza place Comet Ping-Pong’s basement was impossible when the place did not even have a basement. This is partly true. There is absolutely no evidence that Comet Ping-Pong itself secretly engages in human trafficking. However, that does not mean that Pizzagate is debunked. Not only is Pizzagate about far more than just Comet Pizza it ignores Alefantis ties to the corrupt art world. James Alefantis owns the Transformer art gallery. He has displayed the pornographic “Made in Heaven” artwork of Koons and posted some of Abramovic’s work on his personal instagram, where he goes by the handle Jimmy Comet.
It is possible that Comet Pizza is a form of money laundering that provides Alefantis with a source of income to which he mixes in the illicit money he receives through the art world. There is a strong possibility that art sales are used as a way to traffic children where someone deliberately buys shoddy artwork, but the real reason for spending the money was never the art but to obtain children. The art is merely a small bonus and memento to conceal the purpose of the transaction. Art that is overtly violent and pedophilic that is purchased can be seen as a form of bragging. The art reflects the true nature of what the art deal actually was. Child sexual abuse, torture and murder can be freely expressed under the guise of art to an unsuspecting public. In this way, modern day slave traders can sell human beings publicly and openly under the guise of art.
This would explain the motive for many art sales, but it tells us nothing about how the actual exchange of children would take place in a way concealed from the general public. A Pizzagate researcher from the now defunct Voat.co (SIC) may have cracked the case on how this works. There exists an embassy program called Art in Embassies that claims to exist to furnish and adorn government embassies with art. Researcher Swordfish69 revealed that the Art in Embassies program allows art to move through channels that are completely unchecked by customs. The original director for Art in Embassies was Beth Dozoretz. She was the finance chair for the DNC in the year 1999 and she is so close with the Clinton’s that her daughter’s godfather is Bill Clinton. She is also responsible for convincing Bill to pardon her rich fugitive ex-husband Marc Rich on Bill’s last day in office.
Art in Embassies Program Gave Podestas, Jeff Koons, Rockefellers, Clintons, Marina Abramovic, Rothschilds even Alefantis access to a private shipping channel that could bypass airport security | pizzagate (searchvoat.co) Beth Dozoretz (bidenlaptopemails.com)
The Pinchuk Art Centre works with Art in Embassies which allows their shipments they designate art to go unchecked by security. As Ukraine is a human trafficking hot-spot, I believe this should be concerning to all people. But Swordfish69 discovered even more disturbing information. Victor Pinchuk is on the board of the Museum of Contemporary Art (MOCA) along with Jeffrey Soros (the nephew of George Soros and Heather Podesta (the ex-wife of Tony Podesta).